Antares & the Golden Light of Lyra

Dear All,

Today I’d like to speak more about the feline beings of Antares, a nearby constellation named Ara, and the restoration of the ‘golden light of Lyra’. During Lyra’s first Golden Age, the leonine beings who had settled on Avyon, a planet of the star Vega, flourished. From their own DNA they created feline sub-species, and later on humans, who spread to the planets Ruatia and Velonia, and to a beautiful planet of the nearby star Lucida Anseris. The first federation of planets in the Milky Way was formed, the Federation of Lyra, in an era of peaceful growth and creation. As the polarity experience went into a deeper phase, and the Lyran planets were invaded and fell into an interdimensional war in which Avyon was destroyed, the inhabitants of Avyon, Ruatia and Velonia fled into other star systems.

Vega (Alpha Lyra), photo courtesy NASA.

Vega (Alpha Lyra), photo courtesy NASA.

Star chart with Lyra, Scorpius and Ara circled in green (Lyra north of celestial equator & Scorpius and Ara south).

Lyra, Scorpius & Ara circled (Lyra north of celestial equator & Scorpius and Ara south).

Many leonines went to Sirius A, and the humans who went after them resettled on planets around Sirius B. Anla’ith, an Antarian tiger being I introduced in this post as the captain of the ship below, speaks of the scattering of the different groups from Lyra and Lucida Anseris as a ‘fanning of rays of the golden light of Lyra’. From upheaval came a spreading of the feline and human beings, and both Sirius and Scorpius proved to be fruitful havens (felines went to Scorpius, humans joined them later, from Sirius and the Pleiades) in which they could undertake new creations and eventually re-ascend their frequencies.

The Antarian ship Meritahu, captained by Anla'ith, photo taken March 24, 2016.

Antarian ship Meretahu, captained by Anla’ith, photo taken March 24, 2016.

Some tiger beings went into the constellation Dorado, while another leonine group – with tiger, panther and leopard-type beings – travelled to the Scorpius system, particularly its alpha star Antares, and the Cat’s Eyes. Humans also eventually settled on Antarian planets (my first Antarian contact was with a human female, Tayitha – see this post).

Antares (Alpha Scorpius), red supergiant 850 x radius of our sun.

Antares, red supergiant 850 x radius of our sun.

Since late 2015 when they first contacted me (& I attuned to their presence) the Antarians have continued to represent their energies with a single large red orb, a beautiful reflection of their star, such as the one below.

Antarian star family projecting their light energies as a red orb, with green Arcturian companions, Jan. 7, 2016.

Antarian star family projecting their light energies as a red orb, with green Arcturian companions, Jan. 7, 2016.

Recently, Antarian family have been appearing in red orbs with a golden-amber light inside, such as this one on March 30, 2016, golden inside a red rim.

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In this orb are so many faces that they are layered over each other, thousands of them, with feline, leonine, human and doglike features (there are also dog-headed beings in Antares – all the dog beings are sub-groups from the feline DNA, very close kin, friends and companions, not as humans tend to see their reflections on Earth in a ‘cat versus dog’ way).

DSC03024 - golden orb - Copy - Copy - Copy In the enlargement below you may be able to see the face of an eagle – Carian energy merged in with Leonine, canine and human faces, in the golden light.

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As I was feeling into this golden light and the gathering of beings within it, Anla’ith guided me to go further than Scorpius, and directed me to a constellation near the Cat’s Eyes (the two stars in the ‘tail of the scorpion’), called Ara. In Latin, ‘ara’ means ‘altar’. In the root universal light language, A-ra is ‘I’ (Divine I)+ ‘Light’ (of Source)…I am the Light of Source. As meanings are multi-layered (and multidimensional) in the universal sounds, also we have Ar-a: ‘Lion being’ + ‘I’ (small self I), Ar in Ariel and in the name Arnap, where Ar is the energy of guiding or steering, as in the path of an ar-row in flight, the masculine energy in motion. When its motion is in alignment with the Divine, steering from/with Source, the feminine energy wraps around it, and unfurls from it, like a flower, or like the golden cloth on the altar, and the altar and cloth are one. (We all have feminine & masculine within us – feel the wholeness inside).

The beautiful Westerlund 1 golden cluster in the Ara constellation.

The beautiful Westerlund 1 golden cluster in the Ara constellation. Image courtesy NASA.

In Chinese myths, the star Vega is the ‘Weaving Maiden’, which I’ll speak of more deeply later this year. For now, feel how the cloth of golden light woven around Vega and its planets in its Golden Age flew out as golden rays, scattering to many stars, taking with it many creational strands. The greater cloth from which forms rise lays over the altar, and can be seen in the image above of a golden cluster in the Ara constellation.

The Greek myth of Ara holds another pearl of truth, for they saw Ara (located close to the heart of the Milky Way galaxy) as the altar upon which the gods first made offerings and formed an alliance, in order to defeat Cronus and the Titans. Cronus was identified with Time (Chronus, named Saturn by the Romans – Lord of Time/Karma), and this is a story of the re-ascension of the ‘children who had fallen into time’ (Cronus eating his children = time devours all/mortality) by aligning their energies together, in an alliance of different paths and expressions through many galactic ‘Houses’ as one unified family. And it is unity consciousness, love and cooperation, that brings about collective ascensions. Hence tales of immortal ‘gods’, dwelling on the heights of Mt Olympus and drinking golden ambrosia, the elixir of eternal youth. Not all who gained/regained the heights (higher dimensions) remained in unity consciousness and Source alignment…there have been many shifts of energies along the way.

Mt Olympus, photographer unknown but appreciated.

Mt Olympus, photographer unknown but appreciated.

On Earth, this can be seen in reversals of concepts of the nature of ‘reality’ in ancient times. I’ll speak of just a few here, so you can see/feel the pattern of shifts in polarity, starting with maya, which is now commonly used to denote the ‘illusion of the material world’, with a negative connotation of an illusion which entraps, like a deception or enticement that obscures spirit, to which souls become attached and caught in the wheel of karma. However, in the earliest texts of the Rig Veda (Hindu scriptures), where maya was first described, it was seen as a magical power or attribute of the gods, their creational shaping of energy into form, aligned with Parama Purusa, the supreme being (Source), very different to its current meaning – which was already present in the later Rig Veda texts.

Similarly, the word demiurge for creator being went through a deep reversal. To Plato and the Neoplatonists, the demiurge was the craftsman of the realm of form, and the forms were emulations of pure, eternal Ideas – so for instance, behind the myriad variations of form of every tree, there is an ideal of ‘Tree’ that has or is an immutable essence. In the Platonic view, the demiurge was benevolent, and the level of form intrinsically connected to the essences it emulated. Later, the Gnostics and other groups viewed creation through the gaze of dualism, seeing the non-material realm as ‘good’ and the material realm as separate and ‘evil’. Therefore the creator of forms, the demiurge, was viewed as a malevolent being, and matter as death, to be escaped from. So demiurge went through the same kind of reversal as maya. (This represents shifts of lighter to denser frequencies on/around Earth, and which frequencies the human view has fixed on, through numerous phases).

Connected with the shifts of maya and demiurge is the word ahura from ancient Persia, which became asura in India. Ahura in the Gathas (Zoroastrian scriptures) were creator gods, angelic beings protecting, guiding and helping humans back toward love in divine light. Other beings called divs were to be avoided, as entities that would lead humans false/astray. In India’s Vedas, once again like maya in the earlier texts and in line with the Gathas, the asura were benevolent creator gods, while the devas were mischievous or malign entities to be avoided (div and deva being the origins of the modern word devil). Yet in later texts, the two were reversed, with the devas seen as benevolent gods and the asura as demons. Can you see and feel the pattern of energies and reversals, a sign of the shift away from unity/unified consciousness which fuels the dividing split gaze? It is this shift away from unity-of-seeing, from wholeness in harmony with Source, that is ‘loss of innocence’. The innocence of wholeness and harmony is the dwelling place of inner sense. Where unity is gone, the inner sense – from which wisdom and clarity arise – is fragmented (and lesser light, fractured energies, can slip through the cracks).

From Ashura, my Twin Flame:   “Maya, in true essence, is the Mother Song, Ma Ya. It is the singing. Sounding-of-light into forms. It is prime motion of shaping, cupping, wrapping energy into form. It is the threads of ‘hu’ wrapped and merged within the centre of the Ara, as A-Hu-Ra, the sacred I moving sound through light in One motion, Source’s shaping quality. This is true within all dimensions, as you call them. Sound-shaping of energy, the creational expressing. Inpressing light, expressing forms. Forms of density within slower bands, forms of hwae* in swifter bands. (*Note from J: there isn’t a literal translation for hwae – picture it as the shimmering light quality of how forms appear in higher dimensions)

It is the cloth around the altar, which holds all the ‘golden-prints’ of creation within its weave. Does the cloth of forms appear dark to you, obscuring the altar? Does it appear as translucent gold, its shining threads arising from the Love which is its bedrock, supporting it, and through which you can see the altar itself? What is the altar? It is the offering of Life, from Source’s Heart. Countless bowls and chalices, candles and platters lay upon this altar, arisen from the cloth…stars and constellations they are, galaxies and the many bright universes in dimensional bands, and all life thriving within them. The cloth of golden connects them all, they all rest upon it, nor can they be removed from it. The illusion of the veil of forgetting can be swathed around them – the shadow maya, yet this takes much control, for it is a discord to the hu (creation sound). 

Control requires energy. Thus those who seek to control fuel their beings on the energy released when souls engaging in the shadow maya as their reality react to the polarity within it. Reacting to the shadow cloth fuels and magnetizes those seeking control. This is why we say, ‘Be in Peace, or be in pieces.’ In true Peace, deep unconditional peace, every soul in existence can see the altar through the cloth, be-hold the grace of the offering, shape in harmony of tones the energy of the offering within the weave as Source’s co-creators and sub-creators. Creating with Love, unconditional love, we are aligned with the Providence of Source, the offering that provides all potentials in all dimensions. Feel this in your heart, create within your inner heart, and the shadow relinquishes its hold. All alignments are revealed to you, for wise creating….and wise creating reveals alignments.”

When we focus our beings, or an aspect of our being, into the shadow maya, we can get transfixed by death, endings, losses, life fading from vitality through linear time. Reacting through that focus holds the shadow to and within our ego selves and emotional fields. Yet in any moment we can turn our focus to the life behind the cloth, which tunes our focus to the golden threads within us and all forms. Here’s another enlargement from the golden Antarian orb above.

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In the centre is a pyramid, with many beings around it, which was also reflected in the energy of two beautiful ships that appeared high overhead on April 7. You can see one of them in the very top left corner of the photo below.

Photo taken April 7, 2016.

Photo taken April 7, 2016.

Here it is enlarged, a pyramid-ship with a base of golden light, and green, violet and white light above, with the second ship below.

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These are Procyon ships…and I would add in the context of this post, that as you look at these ships, to feel the rays of the golden light of Lyra that spread through star systems (the origin of this pyramid light-form), including to the ‘Dog’ systems, Canis Major (of which Sirius is the alpha star) and Canis Minor (with Procyon the alpha star), and re-ascended in/with those systems.

I’ll end this post with a meditation I did a few years ago, with Ashtar guiding. This is especially for those whose focus goes to death-wish, feelings of loss, hurt or despair. Just feel into this, and the true eternal energy of life, which changes forms, but never ends, is always flowing through the Tree of Source. At the time of this meditation, I was struggling to heal the energies of a lifetime in Atlantis where I had ‘lost my mind’, gone into dark ways, and ended my life by jumping off a cliff. Ashtar met me in my Inner Heart* and stood facing me, hands touching. We joined inner eye to inner eye and he asked me to ‘walk into his eye’, so what I visualized was a tiny me walking over a bridge from my inner eye into his. IN there, we stood side by side on the ledge of a great waterfall in space, with the water falling endlessly into a bottomless abyss, a void of blackness. Ashtar said to look into the void, and asked what did I see? As soon as I looked over the edge, the endless darkness was filled with shimmers of light, moving here and there, rainbow lights, golden lights, white lights, it was literally teeming with the energy of Love, with infinite potentials of Life, and I realized in that moment that the void was an illusion. Now I would call it the background of the shadow maya, seen from the focus of separated/veiled ‘self’. Then I looked out across the infinite playing field of light, and saw stars and constellations beyond counting. Beside me, Ashtar’s gaze was turned to them, and seeing through his Eye, his ‘I’, I felt very deeply his knowing of each one of them, and his love for them all. Which helped me greatly, from the sad focus point I was ‘in’, to remember and see and feel once again the wholeness of Life, and the pure innocence of my soul, within and beholding the All, in the light of creation. Then the golden light could open within me again, and blossom. It could merge my awareness and inner sense into my multi-dimensional whole again…and touch that lightness through to ‘3D self’.

In hindsight, I know I was’ weaving my way’ back from the hold of the shadow maya into the golden rays of Source, specifically along the ‘Lyran Ray’, when I wove the tapestry below, of Orpheus and his Angel returning to Light from the underworld. (Orpheus’s lyre became the constellation Lyra in the Greek myths. I’ll speak of this more soon, as it is connected deeply with Ashura&my path).

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It is said that at the tiniest level, the nucleus of every atom is a black hole, and black holes are ‘death zones’ that consume light. Yet what is beyond the event horizon, my friends, what is beyond time, and ’empty’ dark space? If you look further, into the heart of Source’s offering – which lives in your own Inner Heart – you will find so much more…..and that is your adventure, within this vast shared adventure of us all. 🙂

Finally, a gift from last night – a beautiful Lyran light gold orb, with many dear ones within it.

Lyran orb, photo taken April 15, 2016.

Lyran orb, photo taken April 15, 2016.

In this enlargement, maybe you can see in the upper greenish area, Ashura’s energy – represented as the face and antlers of a stag.

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And his white light shining…with more friends close by.

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Love and Joy to you all, and with deep thanks to Ashtar, & all our family of the stars,

Joanna & Ashura. ❤

*Inner Heart: if you’re unfamiliar with ‘going into your Inner Heart’ please read this page.

*If you haven’t read previous posts, you can read more about Ashura here, and on the Shem Arua and Mary’s Star pages.

Walking with the Muse: Creative Precognition

Dear friends,

I’d like to talk today about ‘creative precognition’ from personal experience, focusing here on art and writing as the two prime ‘creative modes’ I’ve engaged in, by way of example. Of course, we’re all creative beings – creating our reality – in every moment, in every breath we take, and there can be precognitive (future sight/pre-recognition) symbolism in everything we do, from the ingredients we are drawn to prepare a meal with, to which plants we feel attracted to grow in our garden or place in a vase, to a song or piece of music we want to play over and over again. Energy flows, connects, ripples and weaves constantly.

For me, the weaving became literal in this life. I worked as a professional tapestry weaver for more than twenty years, from starting a traineeship at nineteen with the only commercial tapestry studio in Australia (these days called Australian Tapestries) to weaving my own designs by commission until my creative stream shifted to writing. After a decade moving between Melbourne (Australia) and London (UK), I returned to Perth, Western Australia, and wove the tapestry below as part of a postgraduate course in Fine Arts.

I was writing a thesis about the (re)appearance of archangels in the arts in the 1980-90s, and while sitting on a beach near my home at the time, had a vision of Archangel Gabriel standing on the waves, with a rainbow of light pouring from his hand, which was held forward, down into the wave below.

Gabriel, woven 1996-7, 2.4 metres x 1.8 metres.

Gabriel, woven 1996-7, 2.4 metres x 1.8 metres.

This coincided with a dream of the ocean, in which its entire surface was covered in pink water lilies – so in the tapestry, Gabriel’s Lily became a pink water lily on the sea, water being the element associated with Gabriel (the Mother aspect of Source, waters of conception and birth). Perhaps because I was carrying a child at the time, the Moon also turned a ‘rose’ shade in this tapestry. The Rose, as I now know, is connected with the creational spiral energy, which also reflected in this tapestry in the form of the curled Wave. Looking at this piece now, I see so much I didn’t understand consciously then, about the incoming Wave of ‘ascension energies’ (INception) around this planet, and how we intuit and connect with it. For the text running into/from the vortex of the wave in the tapestry is Gabriel’s text from the Sufi mystics, and reads ‘What no eye has seen, what no ear has heard, and what did not come to any human being’s mind.’ Pure truth, as the Wave of Source is felt directly through our core, the seat of our soul, the inner heart chamber…..which ignites the Rainbow Bridge between heart and higher chakras, and merges their energy and flow.

The white geese flying in the middle band of the tapestry were a symbol of Gabriel in the Middle Ages, when he was called the himmeljaeger, the ‘Heavenly Hunter’, and people called the flying geese ‘Gabriel’s hounds’.

Gabriel tapestry in progress.

Gabriel tapestry in progress.

Now I see birds of white light in the skies, have heard the ‘angels’ trumpets’ in the long rumbles of ‘Earth sounds’, communicate with and photograph Carian (birdlike) ETs of white and golden light, among others (which I would never have dreamed of 18 years ago!).

Ai'Shii'Te'Ra: White Carian Being, hawk/eagle-like face above a blue owl. See this post for details. Photo May 26, 2015.

Ai’Shii’Te’Ra: White Carian Being, eagle-like face above blue owl. See this post for details. Photo taken May 26, 2015.

Feeling into the Gabriel tapestry now, the merged energy of my Twin Flame is also in there, which I’ll get to shortly. Next is another angelic tapestry, Mother and Child, woven ten years ago.

Mother and Child, woven 2004.

Mother and Child, woven 2004.

At that time I’d never heard the term ‘orbs’, although had at times seen balls of fuzzy light which I thought of as discarnate souls. This was the first tapestry I felt to weave in these balls of light, with ‘furry’ or fuzzy rims around them.

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Now, I can see/feel how higher dimensional beings were trying to reach me, but my heart centre still had some blockage energies, so although aware of their presence, I didn’t fully feel the love, the soul connectedness, all around me. Yet, it came through dreams, visions and artworks, as a continuous messaging of light, life and love beyond the 3D reality, part of the ‘golden thread’ I felt running throughout my life, no matter how challenging living in this world got at times. The stream was breathing through me non-stop, as it is through every one of us, forever. The joy is remembering it, and swimming consciously again!

Feeling now into my recently-remembered Twin Flame connection, deeper into memories and our many incarnations, the special significance of the constellation Lyra – as the first place we came to together in this universe – opened up a new level of understanding of a profound attraction I’d had all my life to Orpheus, the god of Music, whose lyre (harp) became the constellation of Lyra in ancient Greek mythology (the harp being originally made by Hermes and given to Apollo, then gifted by the ‘Sun God’ to Orpheus). This Lyran origin point has unfolded into memories now, but even before having any conscious knowledge of it, I had written stories, poems and many drawings of Orpheus since teenage years, and wove two tapestries of Orpheus and his Muse. Here is the second one, with Orpheus and Eurydice, his lost love, reunited, as they walk out from the shadows of Hades’ Underworld into the light, along a ray of gold.

Muse II, woven 2008, 1.3m x 1m.

Muse II, woven 2008, 1.3m x 1m, figures based on Orpheus & his Muse, painting by Edmond Jean, 1895.

In the original myth, Orpheus – whose lover Eurydice had been bitten by a snake and died – went down to the land of the dead, guided and guarded by Hermes, and played his harp to Hades, who agreed to let Eurydice return to the land of the living, on the condition Orpheus not look back, on the path to the surface, which he wasn’t able to fulfill. Insofar as Ashura and my Twin Flame path is like that of Orpheus and Eurydice, we now walk as One in my/our Inner Heart together again, completing the circle, and moving again into higher spirals of Life to full multi-dimensional reunion.

Tapestry weaving I always felt as harp-like. You start with a bare loom, string it with the warp threads, then weave in the weft, in colours, like a visual harp of colours. As one who occasionally  experiences synaesthesia (hearing colours, seeing sounds), I know tones and colours are identical and interchangeable, just different modes of the same frequencies. In Chinese astrology, Vega, the alpha star of Lyra, was called ‘the Weaving Maiden’, who wove tapestries of spiritual light, had a ‘fall from grace’ and was separated forever from her lover, the Ox Boy, by the Milky Way….until a bridge was made by magpies for them to meet again. There’s a relationship in this story to the drop of Lyra from high frequencies, the leaving of its people (leonines and humans), and to carian/avian beings and the constellation of the Ox/Bull/Taurus (which I’ve written about in previous posts such as this one…and to my Twin Flame, Ashura, and his connection to bull symbolism. The Weaving Maiden and the Ox Boy, reflect for us a personal memory.

About seven years ago, I shifted from weaving to writing , and wrote a series of fantasy novels that drew on recurring dreams, from about the age of eight, of another world, much larger than Earth; a hollow world with a star at its core and lands on the inside, peopled by immortal semi-angelic beings made of golden crystalline light. I called the world Siaris, which was how I heard the word ‘Sirius’ as a young child. I also ‘saw’ that world go through a (quite complex) ‘ascension process’, which I mirrored into the novels. They’re not ‘in print’ at present, as the publishing house I was contracted to closed in 2015, but below is the cover of the third novel. When this cover art came back from the publisher’s cover designer it triggered a strong sense of recognition.

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Cover art by Kelly Shorten, 2013.

It wasn’t until connecting more closely with Ashura (currently captaining the Shem Arua), that the likeness became clear…not exactly in facial features, but in energy. In the novels, the character on that cover was the male of a Twin Flame angelic couple. Wheels within wheels….as the threads of the tapestry converge and weave together.

This visualization comes from Ashura now, for strengthening and keeping crystal clear your Bow, the ‘bow of the three chakras’ in your head that form a crescent, from pituitary chakra, to pineal chakra, to well of dreams chakra (at the brainstem, sends messages to the lower chakras).

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 The Three Stars Practice

Centre into your Heart Star, and expand it throughout your auric field. Breathe golden light into your heart centre, and radiate it through and around your auric field as a Golden Apple of Light.

Now bring your focus into your Pituitary Chakra and visualize the chakra within a five-pointed Star of pure white Light.

18-004-FAA16094Secondly, shift your focus into your Pineal Chakra and visualize the chakra within a seven-pointed Star of pure white Light.

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Thirdly, curve the Bow, and bring your focus down to your Well of Dreams Chakra, and visualize the chakra within a nine-pointed Star of pure white Light.

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Hold the three White Stars and feel the whole Bow as white light, stable, secure, free of all controlling/regulating influences, connected with your Heart Star and Crown. You may also wish to open your three main Star Chakras, the Earth Star (under your feet), Heart Star (centre of chest) and Soul Star (above your head) and also see them as three big stars of white Light.

We Love how you Shine!

With thanks to beloved Ashura, Hermes (Ashtar), AA Gabriel and all the beautiful guiding Ones,

If you haven’t done so before, I hope what has been shared here inspires you to feel into your own ‘creativity’, in whatever forms it takes for you, and how the flow of Love and Light of Source is communicating to, within and through you, always.

Namaste,

Joanna&Ashura.  ❤